thanx to those who made it out to MidTones Album Release Edition last night @ Grand Star. it was one of the greatest nights we’ve had at MidTones and of my lifetime.
check back here for I will slowly release outtakes and unreleased tracks that didn’t really fit the album but are equally good, and the ones that I performed live at the party and the past shows! hopefully I’ll do videos for some of these tracks (any filmmakers out there who want to take a shot at making videos/collaborating hollar at me!)
here are some quotes from the people who liked the album;
“Completely original, with catchy hooks, crunchy guitar, retro keys, cool vocals and creative arrangements, all while being “way out there” gotta love it.” Sylus Brown
“Complex pop/rock while being fun, an excellent original composition and experience, I want to see Shin” -Rob Ritter
“Instantly enjoyable fusion of different styles of pop and rock” – Stuart Messenger
“I like it! Great stuff! The manic energy is infectious, I love the instrumentation and the sci fi bite. I left it cranked the whole time – pretty rare for a first listen!”
a collaboration between Keiko Agena aka Christine Madeleine and myself “Take It Back” is in Sweetwater Presents: The GearFest 2010 Song Contest, and if you download this mp3 enough, we might win about 2G worth of equipment, and believe me, I NEED THEM. it’s a cool track written by her back in the day and I took it to the next level like I always (try to) do, and I’m sure you’ll enjoy it. DOWNLOAD, IT’S FREE.
there’s also a short clip of this song performed live back in April. when the album comes out later in June we’ll probably be out playing more, check back.
Thanx all for coming out to the 3 shows on my Birthday Week – I got to see so many of my friends and made NEW friends. BIG THANX to Leela Grant and the band, and Jon Hershfield of IsGoodMusic.com!
The next BIG night(s) for me is The 3rd Annual Nite N Day Arts Festival Weekend, presented by the 32nd Annual Los Angeles Chinatown Firecracker Run and Chinatown Business Improvement District, happening the last weekend of Feb – where I’ll be doing a set of original materials (with the help of Geoff Haba on drums AND MidTone Madeleines) on Feb 27nd SAT at 7pm, AND with MidTone Arkestra which features the cream of the crop from MidTones; an Eclectic Open Jam, on Feb 28th at 2pm! so many talented artists are on the bill for this event, such as The Fighting Cocks, David Applesauce Tran, Sue Jin and Dawen. it’s gonna be a great weekend of music for sure! there’s more info on Facebook Event page!
are all over the world right now; needless to mention the situation in Haiti – by the way I heard that some of that “Text to xxxxx to donate to Haiti” things is a SCAM…so watch out and only donate to the foundation you know.
I had a privilege to perform, along with Tom Morello as The Nightwatchman, Boots Riley and the Legendary Wayne Kramer of MC5, for Cort Guitar Workers ACTION event on Jan 13 in Koreatown. Following is an excerpt from their website;
“For more than a 1000 days, Korean guitar workers and their supporters have protested against their illegal mass firing by Cort/ Cor-tek Guitars, a guitar manufacturer based in South Korea and founded in 1973.
After dedicating decades of their labor in unventilated rooms full of fumes and solvent, enduring forced overtime and below-minimum wage pay, incurring injuries and lung diseases, and undergoing the abuse of their managers, these workers unionized to finally get minimum wage.
Only a short time later, they found themselves padlocked out of their factories and were forced to sign resignation papers, . It turned out that Cort had moved its operations overseas, for much cheaper and non-unionized labor in Chinese and Indonesian factories.”
Some of these workers came to LA in time for NAMM show to protest; and I plan to attend their gathering TOMORROW afternoon right outside of Anaheim Convention Center. I’m not sure if their voice would reach the money-mongering CEO, but they (and I) want those who play guitars to know that what they have in their hands come from the people who are proud of what they do and yet do NOT receive the treatment they deserve. and with so many here in the US losing their jobs, I believe this hits close to home for a lot of folks out there who don’t really care about guitars at all.